My Office


My Office
Originally uploaded by StarbuckGuy

My local Starbucks, as many of you know, is one of my favourite hangouts. It’s situated beside the harbour lighthouse and provides a half-way point on my daily walks. Moreover, I like the coffee. It’s not the best I’ve tasted by any means, but it’s the best I’ve tasted in Port Credit.

The staff are friendly and the place has high windows, giving it a light, airy feel. The ceiling goes up very high — at least two stories — with skylights. The actual floor area is small and because it’s a popular venue, getting a seat is by no means assured. I fare best when I arrive relatively early in the morning.

I joke, only slightly tongue in cheek, that it’s my office. I do a lot of writing there. I often carry a writing device with me — a Palm TX with wireless folding keyboard, or this AlphaSmart Neo, a writing device designed for the school market, but very popular among writers. It doesn’t do much except provide a wonderful, full-size keyboard with a small but highly readable display. I think of it as a paperless typewriter. It turns on instantly, with no long boot cycle, and it runs for approximately 700 hours on a set of 3 AA alkaline batteries.

It’s come at a good time. On LiveJournal, where I maintain a writing journal called Silver Bullets, I’m taking part in a community project called PicoWriMo, a takeoff on NaNoWriMo. PicoWriMo is a less ambitious project than NaNoWriMo’s target of a 50,000 word novel written in the month of November. In PicoWriMo we set our own, more modest, targets. Mine is to write and edit two finished short stories during November. I’ve just finished the first draft of one — a story with a sci-fi theme.

The Neo is pictured here with my Starbucks coffee, Moleskine journal, and additional Nikon 100mm f/2.8 Series E lens. Taken with a Nikon D200 and 28mm f/2.8 Series E.

Feedback on my first short story

By acting as my first reader, my wife Marion helped me enormously with my short story, “Channeling Rusty” [since renamed “A Brief Encounter”]. She make a lot of perceptive comments and asked some good questions. Aside from pointing out some minor things, which were much appreciated, she helped me look at things that would strengthen the story. More conflict between rational disbelief and the desire to entertain belief is needed between the two human characters. They need more differentiation.

The main thing she helped me with was understanding that the plot was weak. She wanted it to have more of a peak and denouement. I agree totally. In the immortal words of the Everley Brothers, “the movie wasn’t so hot; it didn’t have much of a plot.”

Plot is my weakest area. As soon as she described what bothered her about the story it clicked, yes, this is what’s the matter with it. I knew something wasn’t right but couldn’t quite figure it out.

As an essayist, plot has never been an issue. My essay writing moves from idea to idea, concept to concept, observation to observation, across some theme. I’m not a natural-born storyteller, but if I want to write fiction, I need to become one. As I said to Marion, I need to practice making up stories about things as a mental exercise. Perhaps there’s a storyteller inside, waiting to be discovered.

I had an epiphany about this as I discussed it with Marion. If I try my hand at fiction, working really hard at it, and fail, I don’t mind. What would bother me is always wondering if I could write fiction, but not trying. I love essays and essay writing and have several in mind, so it’s not as though I would no longer be a writer. And who knows? I might succeed in writing passably good fiction. Time will tell. I think short story writing, and possibly a novel, is exciting territory to explore. Above all else, I love writing, even when I hate it.

They say that aging isn’t for wimps. Neither is writing. It’s hard work and has limited rewards. I think you need to be driven to write to stick with it.

What I love about this foray into fiction writing is that I’m learning and growing. As long as that’s happening, I’m not stagnating. I’m alive. Is that part of the reason why we write? I think perhaps it is.

A First Draft

Today was a milestone day. I finished the rough draft of my first short story. I sat in Starbucks typing on my AlphaSmart Neo amid the increasing din of a Saturday morning crowd. My local is beside a river and the rowing crowd wanders in after their early-morning rowing and take up most of the tables. One guy in particular has a loud, braying voice that pierces through the ambient noise.

Despite not getting there as early as I wanted to, I finished the draft!

This evening I’ve printed it out and tomorrow I’ll release it to my inner editor, who has been chomping at the bit, eager to get his critical paws on the story.

It’s short: around 2200 words, but I think some of the scenes will be expanded during editing.

Short Story Writing Workshop

[originally posted 2 Nov 2007 at LiveJournal]

Last Saturday I attended a workshop called “How to Write a Theme-based Short Story in Under 30 Days” given by freelance writer Paul Lima. I only learned about it a few days before the workshop and was delighted to get a seat. Sponsored by WEN (Writers & Editors Network), a west-Toronto writing group, it took place from 9:30-3:30 on Saturday, Oct 27 at a church in Mississauga, Ontario, near my home.

I’d taken a workshop with Paul once before, on the business of freelance writing, and it was excellent — filled with tips, tricks, methods, and common sense. I’ve also attended some of his sessions at Wordstock, an annual single-day conference for reporters, writers and editors sponsored by the Ryerson Journalism Alumni Association. Paul is one of those solid speakers who is gently no-nonsense with the ability to inspire others to get out and try things, with good advice on how to go about it.

The short story workshop couldn’t have come at a better time: I’ve been working on my first-ever serious story, one with a science fiction theme, and after a good start and an interesting idea I was stalled. On my own I’d determined that the reason I was stalled was that I really didn’t know where the story was going and it didn’t just spontaneously shout to me, “go here!” My muse apparently doesn’t work that way. I wish she did, but she’s been good to me overall and I’ll not take her to task for my own lack of planning.

I decided that, like it or not, I was going to have to work from a plot outline and know how the story develops and how it ends before I can make it work.

It came as no surprise to me then to hear Paul say that most writers fail to finish things because they get stalled without a plan. He strongly believes in plot-point outlining and doing some strong prep work before doing the actual writing. Things like thinking and brainstorming about your characters, plot, conflict, setting, and theme.

Similar to the advice listed in D.G. Jerz’s Short Stories: 10 Tips for Novice Creative Writers, Paul advised working with word association and clustering, and doing some freefall writing — a kind of stream-of-consciousness writing — if something catches your fancy during brainstorming and you want to explore it. He took us through some freefall writing exercises and I was surprised at some of writing fragments that came out of this. Most of the participants had workable story material embedded in their freeform and one of mine was unexpected and powerful. I read it to my wife, Marion, the evening after the workshop and she was still thinking about it the next morning. A gift from the muse, primed by the exercise. I hope to make use of this fragment in some future writing.

As you might infer from the title of the workshop, Paul is very organized in his approach to writing, and the “30 day” aspect of the workshop is not a gimmick, but rather a method by which a beginning writer can work out the plot and character elements, develop a plot outline, and work from plot point to plot point, in a scheduled fashion, until the first draft is complete. As Paul advised, the first draft will be shitty, but it’s easier to edit and revise a shitty draft than to edit nothing.

The wonderful thing about workshops like Paul’s is that they give a budding writer confidence, and a time-honoured methodology for success. Later, you might discard the method in favour of one of your own, but it gives you a way to successfully develop and complete a short story, and that’s a powerful confidence builder.

I’m not certain how far the outlining technique will work for me. From the time I first started writing essays in high school, then university, I worked without an outline and wrote the outline after the essay if one was required. For complex articles, like the kind I wrote for Here’s How! magazine on Internet social communities, I used rough outlines, and points I wanted to make certain I covered, but even there it was an organic mix, with many of the outline points coming out of the writing.

There is no right or wrong way to write, if the writing works. I’ve listened to several interviews with novelists who say they don’t outline — they just start writing and discover their plot and characters as they go. Some people can pull it off. I don’t think I’m one of them despite my natural aversion to outlining.

So I’ve given myself the assignment to start over with my story concept, and work a lot more on characters and plot before I start writing it again. I don’t mind starting over. The first attempt sucked, big time. First I’ll try it “by the books”. What I need to clear the first hurdle in my quest to become a fiction writer is some completed work. Once I have that, I might loosen up my approach to it. Or I might not.

The workshop helped me considerably and a side benefit is that I had the chance to meet other writers who are working on short fiction. I’ve become a member of WEN and look forward to the meetings. Overall, $89 (non-member fee for the workshop) was a great investment

PicoWriMo

I started an account on LiveJournal after learning, on the AlphaSmart Writing Tools Flickr group, that there is a picowrimo writing project group here running in parallel to NaNoWriMo but with more modest goals.

The day after Halloween, and I started the day with a cardio stress test that marks the beginning of my cardio rehab program. This is my second time through the program. The nurse who wired me for the stress test today got a chuckle out of my description of myself as a ‘repeat offender’. The test went well enough. I predicted that I would have some chest pains when we reached the peak of the test, to keep them from being alarmed, and that it was okay. Sure enough, it showed up on the cardiogram just as I predicted, at the point I predicted. No big deal. I have blockage in a minor artery (results from my last angiogram) that are in no way life threatening and will likely recede as my conditioning improves.

I stopped by a new Starbucks today, at the corner of Hurontario and Harborn, where the hospital shuttle bus left me off so I could catch a city bus the rest of the way home. I’ve passed by it many times and wanted to try it out. It’s strategically placed at a major Mississauga traffic intersection and proved to be a very busy Starbucks. There were plenty of seats inside, so I took out my Neo and typed into my journal.

I’m working on a short story but didn’t want to work on it this morning. I’m about to start writing a new scene, and I’d like my head to be a little clearer before I start. Man, I never knew fiction writing was going to be such hard work.

Now that the stress test is over I can indulge in caffeine again. I had a Grande Bold at Starbucks. Now that I’m home I’ll brew a nice pot of green tea.