Goodbye Overdrive, Hello Libby

By Gene Wilburn


For some years now I’ve been using Overdrive Media Player as my ebook reader and audiobook player for books and audiobooks borrowed from the public library. Overdrive is on my iPad, my MacBook, and my wife’s iPad. Between us we must have listened to or read several hundred borrowed library books. We like and enjoy Overdrive and, for our purposes, it’s an ideal library companion.

Recently, though, we learned that Overdrive (the company, based in Cleveland, Ohio) is replacing Overdrive Media Player with a different client app called Libby. In fact, they’re set to pull the plug on Overdrive Media Player by February, 2023. It’s no longer available in the various App Stores. Given that we’re now living on borrowed time, we added Libby to our tablets and laptops to get used to it, preparing ourselves to leave the Overdrive app forever.

It’s a truism in the software world that users don’t generally like changes to their interfaces, or having to switch to a different product. Word users balked at the “ribbon menus” of later versions of Word, and few Word users have switched to Google Docs or LibreOffice Writer. When you’re comfortable with an app, changes are painful. And so it was as we moved to using Libby.

The Overdrive interface is clean, neat, and tidy.

Overdrive Bookshelf Interface

Whereas Libby is expansive, not as neat, and very chatty.

Libby Bookshelf Interface

Of course beauty, being in the eye of the beholder, means that what one user likes, another wouldn’t. You can never please everyone, but on the whole I can move into Libby without overt trauma. Almost.

However, I’ve found two flaws in Libby.

Libby Doesn’t Allow You to Copy Text

I must say I was shocked when I discovered that you can’t copy and paste text from ebooks in Libby. This is something I do a lot in Overdrive, copying passages to my Notes app for research purposes, or quoting an opening line or paragraph when talking about an interesting book on Facebook. This, for me, is a serious deficiency.

Libby Doesn’t Support More Than One User Per Library Account

The reason why this might be a problem is simply this: Sometimes family members share the same Library card. For example, my wife and I live in the city of Mississauga, Ontario, adjacent to the city of Toronto. We each have a Mississauga Public Library borrowing card, but having previously lived in Toronto, we missed the larger selection of resources from the Toronto Public Library system. This we solved by purchasing a single extramural reader’s card for TPL. At a cost of over $100 per year, we didn’t feel we could each could afford one, so we share a single library account.

When we use Overdrive, we can each download books and ebooks from the library and our borrowings don’t get confused. If we’re reading the same book or listening to the same audiobook, our individual Overdrive apps keep our position locations discrete, which is great because we obviously don’t read or listen to the same book at the same pace.

Libby synchronizes its bookshelf automatically across devices, meaning that our separate reading locations get updated to whoever is farther along in the reading or listening. Then if one of us returns to a previous location, it resets it for the other one. Relocating your place, especially in an audiobook, is a painful experience.

Unfortunately, there is no setup mode in Libby that allows you to turn off synchronization, making it work more like Overdrive.

Better Font Sizing in Libby

Aside from those two problems, Libby is pleasant to use and, like Overdrive, allows you to choose your reading font, size it for your eyes, and choose between white, sepia, or black backgrounds. Black is especially good for reading at night. Both offer a timer to switch off your audiobook after a certain number of minutes, say 60 minutes, which is a godsend if you fall asleep while listening. You don’t have as far to backtrack.

One thing that has bugged me for years about Overdrive is its too-coarse adjustments of font size. I frequently hit that condition where the font is ether too small, or too large, with no steps in between. Libby has much finer font size adjustments. I can always seem to find that just-right “Goldilocks” font size when I’m reading on Libby, which gives Libby the edge for me on ebooks.

Looking Ahead

For the most part, I don’t anticipate great difficulty adjusting from Overdrive to Libby. I still prefer the clean, terse Overdrive user interface, but Libby is easy to use and is probably a better interface for new library users.

Overdrive (the company) only needs to fix two deficiencies: The ability to copy text from ebooks, and the option to turn off synchronization. If they can do that, I’ll give Libby full marks. Until then, it’s an app that just misses being great.


Gene Wilburn is a Canadian writer, photographer, and retired IT specialist..

Fedora 36 Linux: First Impressions

By Gene Wilburn


Fedora GNOME Interface

When I started using Linux in the early 1990s, my first distro was Slackware, followed soon after by Red Hat. Eventually I discovered Debian Linux and it quickly became my favourite, especially after Red Hat evolved into an enterprise company.

Along the way I tried Ubuntu Linux and Linux Mint and liked both, partly because they were part of the Debian family of distributions. Over the years I’ve watched them become easier to use and more polished. I run the latest Linux Mint on my desktop machine.

Even so, I enjoy trying out different distributions to see what they offer. Of course, Linux is Linux, no matter which distribution — under the hood they pretty much all do the same things. Where they differ the most is in packaging systems, method of installation and maintenance, and the user interface.

My test computer for experimenting with distributions is a Lenovo Thinkpad E431 i3 laptop, introduced in 2010. It contains 4GB RAM and 500GB of hard disk. Not a speed demon, but it has plenty of memory and storage, and is supported by all the Linux distributions I’ve tried.

Using this laptop, I took a look at the no-nonsense Fedora 36 Workstation. Fedora is sponsored by Red Hat and is characterized as a “bleeding edge” distribution, continuously introducing the newest versions of applications. It is popular and has a large support community.

Installation

After loading the Fedora .iso file onto a stick disk, I booted it up on the Thinkpad and asked it to install to my hard disk. The installation procedure worked but was less explicit about what was going on than, say, an Ubuntu installation.

The only confusion I encountered was in letting it know it could blow away the existing Linux Mint and use the entire hard disk. There is less feedback than I’m accustomed to, and it was unclear to me whether I had set it to delete the existing partitions. It turned out to work fine, but I prefer the feedback I get with an Ubuntu-family install.

First Look

After Fedora booted up for the first time, it displayed the latest GNOME user interface, which left me wondering what to do. There were no docks or panels on the screen. My first hurdle was how to access stuff. I tried clicking at the corners and clicking on the background screen, to no avail. Then I pushed the Windows key, which led me to the dashboard, or “dash” as it seems to be called. From the dash I could launch selected software or invoke a full screen of installed apps, similar to Launchpad on a Mac.

I’ll never understand why most distributions, including Fedora, do not include a Terminal app in the initial dashboard. That’s always the first thing I need to use.

Fedora Workstation is highly integrated with GNOME and is configured to present an uncluttered screen, leaving most of the screen available to applications. I like this approach, especially when working on a restricted screen such as a laptop.

From apt to dnf

Instead of the apt command-line tool of the Debian variants, Fedora uses dnf for command line management of software installations. Fedora packages are .rpm files rather than .deb files and Fedora supports both Snap and Flatpack, which are increasingly used for software distribution. Fedora differs from Debian-based distros in its security mechanism. Ubuntu-family distros use AppArmor while Fedora uses SELinux.

In practice, switching to dnf is straightforward for an experienced Debian user.

In Debian distributions, you might install a software package such as btop by typing

sudo apt install btop

In Fedora you would type this instead

sudo dnf install btop

The two systems are similar enough that transitioning from apt to dnf presents no particular challenge.

btop

Changing the Look & Feel

Although I find the GNOME interface interesting and slick, I couldn’t get comfortable with it, so, in the great Linux tradition, I added my favourite GUI, Cinnamon, as an alternate GUI with the simple command

sudo dnf install cinnamon

and, upon completion, Fedora installed the Cinnamon option. This significantly increased my comfort level.

Cinnamon User Interface with Menu and Task Bar at the Bottom

Bottom Line

I give Fedora 36 highest marks: It’s a great distribution. I suspect, though, that it’s a better Linux for experienced users than beginners. For those new to Linux I think Ubuntu or, particularly, Linux Mint, makes a better choice.

If you want to use a solid, leading edge Linux, and have a bit of Linux experience, Fedora is one of the top choices.


Gene Wilburn is a Canadian writer, photographer, and retired IT professional.

Enough with Subscriptions Already!

By Gene Wilburn


Photo by Samantha Gades on Unsplash

These days it seems as if every vendor of every product has jumped on the “service as subscription” bandwagon. While this might be good for vendors, providing a steadier income stream, it’s reaching a breaking point for customers. Worse, it’s often nothing more than a greedy money grab.

$18/Month to Warm Your Derrière

BMW has recently introduced a monthly subscription fee of $18US a month if you want access to the vehicles’ heated seats. Other car vendors are implementing a monthly subscription fee for remote-start key fobs.

“Earlier this year, Cox Automotive conducted a survey of 217 people who intend to buy a new car over the next two years. Only 25 percent said they’d be willing to pay a monthly or annual fee to unlock a feature in their vehicle. The remaining 75 percent said piss off. [my emphasis]

Well, you might say, luxury car owners can afford subscriptions like seat warmers. Not so fast. GM expects its in-car subscription services on its automotive lines to generate nearly $2-billion this year, which will reach as high as $25-billion by the end of the decade.

Remember, this is beyond the base price you pay for your family automobile, and it’s not just aimed at luxury cars.

How Much Monthly Streaming Services Cost in Canada

The following prices were what I could confirm as Canadian prices. U.S. pricing tends to be slightly lower.

Netflix Canada: $9.99 / $15.49 / 19.99 depending on the plan
Crave: $9.99 for mobile devices, $19.99 for all platform
HBO (ad-free): $19.35
YouTube (ad-free family plan): $17.99
BritBox: $8.99:
Hulu (ad-free): $11.99
Wondrium: $20.00 (lower with quarterly or annual plans)
Spotify: $9.95
Amazon Prime: $9.99
Cable or Fibre Plan: $50 (for basic package)

Depending on how many streaming services you subscribe to, you could be pushing $150 per month. It wasn’t so bad when there was just Netflix, but everyone jumped on the bandwagon, diluting the offerings on each service so that you’d need them all if you are a serious movie and TV buff.

Software Subscriptions

And then there’s software. Adobe has always charged plenty for its software but, in recent years, seems to have found the subscription model more profitable. As a photographer, I purchased its last sales-based package of Photoshop CS6. Unfortunately, CS6 apps no longer run on my current Macs so the only option, if I want to continue to use Photoshop, is to subscribe to it for $9.99/month.

I did for a short while. Photoshop is more polished and better than ever, but is it worth over $100 per year to rent it? I’m not a professional photographer, and, being retired, my budget simply doesn’t stretch that far for a hobby. So I unsubscribed and purchased Affinity Photo outright. It’s a pretty fair substitute, and cost me a one-time $40, on sale.

As a writer, I’ve looked at software such as Ulysses. I use Markdown editors most of the time, and Ulysses is a very nice product, but is it worth $50/year in perpetuity (with probable increases in the subscription price along the way)?

We’re talking Markdown here, an open-source format. Any free Markdown editor does the job nicely, thank you.

Then there’s Microsoft Office. $79.00 per year for the personal edition, and $109.00 per year for one to six people (Canadian pricing). In a misleading sleight of hand, they put a “Buy now” button for the subscription, rather than the more honest “Rent now.”

If you need pure Microsoft, there’s no evading the cost, though the excellent open-source LibreOffice suite is free, as are the Google office modules like Docs and Sheets if you’re a student or a casual user.

It happens at the low end of software too. I’m amazed at the number of iPad utility apps from the App Store that only give you a free trial period, then charge you forever with a monthly subscription fee. Even for a calculator app.

The Bottom Line

No single subscription sounds terribly out of line, but the cumulative cost of subscriptions-as-service is an insidious trend for anyone on a low-to-moderate fixed income.

The bottom line is that many of us simply can’t afford to play this game. Or are unwilling to.

I’m booked solid. I will not rent any more software, streaming services, or automotive services, and I know I’m not alone. We simply can no longer afford it. I’m already deciding which services to drop.

Oh, yeah, what about Medium? I enjoy reading what Medium writers have published so I will probably continue to subscribe. But my loyalty is thin. If the price increases, I’m outa here.


Gene Wilburn is a Canadian writer, photographer, and retired IT specialist.